There are many liberations.
Some horizontal and others vertical. this proposal takes us into a disconcerting verticality. the liberation operates like a discreet noise in the heart which rises and makes altitude.Yes, a noise can become a mountain. This is what Marja Ahti tells us.
The Current Inside”, Marja Ahti's sophomore album for Hallow Ground, plays with the theme of currents - connecting and animating movements in the form of air, water and electricity. It approaches sound as a poetic medium, focusing both on the experience of sound as form and energy and on a loosely narrative arc, suggesting a riddle on the relations between the sounds. It implements alternative as well as intuitive tunings, analog and digital synthesis, recordings of sonorous spaces and vessels, electromagnetic fields transduced into audio, acoustic close-ups of elements in motion and other field recordings. Fluently connecting quite diverse sound sources, Ahti's music lingers in a zone between abstract sonorities and vaguely familiar acoustic environments.
The first half of the album consists of ”The Altitudes”, a piece commissioned by Ina GRM for Présences Électronique and Sonic Acts. It was inspired by descriptions of the layers of Earth's atmosphere. Imagining a movement through layers of air, the piece unfolds with a slow intensity, interweaving concrete sounds and closely tuned electronic sonorities. Traversing the altitudes, a landscape of entangled elements, masses and currents emerges. The air around us has weight and it presses against everything it touches. As gravity pulls it to Earth, it is sensed as pressure. The rotation of the planet, the angle of the sun at any new moment sets the elements in motion in a chain reaction.
The other side consists of four shorter pieces. ”The Currents” opens with a dance of trembling charged movements. ”Lost Lake” extracts resonant tones from a trail of close-up recordings of winter environments, while ”Fluctuating Streams” channels streaming air in different forms. The closing track, ”Sundial”, could be construed as the steady turning of the planetary angle towards the sun, unfolding through fragments of everyday activity against the backdrop of piercing, slowly twisting, suspended tone.
Marja Ahti (b. 1981) is a musician and composer based in Turku, Finland. Originally from Sweden, Ahti has been a part of the Finnish experimental music scene for more than ten years in different constellations. She is currently active in the duo Ahti & Ahti with her partner and as a member of the Himera artist/organizer collective. Her critically acclaimed 2019 solo debut, Vegetal Negatives, explored a new formal language and sonic palette inspired by a short text by René Daumal.
released May 8, 2020
Composition, production, mixing: Marja Ahti
Voice: Johanna Kalliokulju
Mastered by Giuseppe Ielasi
Cover artwork by Niko Karlsson and design by Juri Puhakka
The Altitudes was commissioned by Ina GRM as part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union. The work was supported in part by Arts Promotion Centre Finland. Synthesizers recorded at EMS, Stockholm and Ina GRM, Paris. Voice recorded at IAC, Malmö. Field recordings from various locations in Finland, Sweden and Croatia.
Thanks to Olli Aarni, Niko-Matti Ahti, François Bonnet, Jason Dungan, Jonna Karanka, Laura Naukkarinen and Remo Seeland.